Monday, 10 October 2011

Marcelo Alvarez - Tenorissimo

0
His voice is one of the finest in the opera world, his fans rave about one voice, "which is addictive." This is quite a surprising due to the fact that Marcelo started opera vocal training at the age of 30 due to the persistence of his wife who forced him to start taking lessons. the story goes that his teacher told him that within 5 years of her training him he will be singing around the world in some of the biggest opera houses. Her premonition came true and to this day Alvarez is in high demand to sing in the major opera houses around the world in different roles. "Marcelo Álvarez - tenorissimo!" presents the Argentine tenor in the whole range of his abilities. with famous arias from French and Italian operas, and songs with beautiful melodies and tango with "Una furtiva lagrima" (L'elisir d'amore), "Che gelida manina" (La Bohème) "Pourquoi me reveille" (Werther), "E lucevan le imagine" (Tosca), "Tomo y obligo" by Gardel and others. This is a recording for any tenor fans out there who are looking for a new interpretation of some very popular tenor arias.

Tracklist

  1. Donizetti: Una Furtiva Lagrima (L'elisir D'amore)
  2. Donizetti: Ah, Mes Amis... Pour Mon Âme (La Fille Du Régiment)
  3. Puccini: Che Gelida Manina (La Bohème)
  4. Donizetti: Inosservato Penetrava... (Il Duca D'alba)
  5. Massenet: Pourquoi Me Réveiller? (Werther)
  6. Donizetti: La Maîtresse Du Roi?... Ange Si Pur (La Favorite)
  7. Meyerbeer: Ah! Quel Spectacle... (Les Huguenots)
  8. Puccini: E Lucevan Le Stelle (Tosca)
  9. Ponchielli: Cielo E Mar (La Gioconda)
  10. Von Flotow: M'appari Tutt'amor (Martha)
  11. Cilea: Lamento Di Federico (L'arlesiana)
  12. Puccini: Addio, Fiorito Asil (Madame Butterfly)
  13. Giordano: Come Un Bel Dì Di Maggio (Andrea Chénier)
  14. Puccini: Donna Non Vidi Mai (Manon Lescaut)
  15. Massenet: N'est-Ce Plus Ma Main Que Cette Main Presse? (Manon) With Renée Fleming
  16. Gardel: Tomo Y Obligo
  17. Sartori: Oltre La Tempesta With Salvatore Licitra




No comments:

Post a Comment